本文已被:浏览 811次 下载 469次
投稿时间:2003-06-29
投稿时间:2003-06-29
中文摘要: 《丧钟为谁而呜》在海明威的作品中占有独特的地位.在这部小说的创作中,海明威放弃了他早年信奉的虚无主义,对自身和社会树立了新的信心,采用一种不同于以前的时空艺术手法,创造了一种新的叙述形式.他利用自然时空、现实时空和心理时空三者之间的关系,以自然时空为基础,通过对题材的放大和扩展将其变为现实时空;开掘人物的心理时空,以冷静的观察、流畅的笔墨,揭示出了主人公内心深处的迷惘、空虚、惆怅、哀怨、忧伤、绝望和悲愤,从而表现出了人物的价值和生命的意义,同时也充分显示出了海明威卓越的艺术才能.
Abstract:Among Hemingway's writings, the novel "For Whom the Bell Tolls" occupies an important place. Having given up the nihilism he once embraced in his early years, Hemingway set up the new confidence both in himself and society. He actively went into the social practice, in which he found the real material for his novel. He created a new form of narration with his space art different from his former writing style. In his writing, he properly handled the relations among the natural space, the realistic space and the psychological one. With the natural space as the basis, he turned it into a realistic one through magnifying the subject matter, and opened his psychological space through an extension to the inner world of the characters. With his calm viewpoint and smooth writing style, Hemingway revealed the temporary perplexion, blankness, melancholy, grief, desperation and indignation in the depths of the protagonist's heart, accordingly embodied the value of the character as well as the significance of the life, and, simultaneously, Hemingway also fully showed us his personal remarkable talent of art.
文章编号:20040118 中图分类号: 文献标志码:
基金项目:
作者 | 单位 |
杨大亮 | 上海电力学院 外语系, 上海 200090 |
Author Name | Affiliation |
YANG Da-liang | Department of Foreign Language, Shanghai University of Electric Power, Shanghai 200090, China |
引用文本:
杨大亮.论海明威《丧钟为谁而鸣》的时空艺术[J].上海电力大学学报,2004,20(1):75-79.
YANG Da-liang.On Hemingway's Space Art in His "For Whom the Bell Tolls"[J].Journal of Shanghai University of Electric Power,2004,20(1):75-79.
杨大亮.论海明威《丧钟为谁而鸣》的时空艺术[J].上海电力大学学报,2004,20(1):75-79.
YANG Da-liang.On Hemingway's Space Art in His "For Whom the Bell Tolls"[J].Journal of Shanghai University of Electric Power,2004,20(1):75-79.